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Interview with pianist Marina Mdivani (excerpt)

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By Elijah Ho

November 26, 2013

from an interview with pianist Marina Mdivani

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During the Second World War, many musicians were evacuated from Moscow to Tbilisi, and among
Milstein with Richter
them, Sviatoslav Richter came and lived in the apartment of a famous Georgian painter 1]. My mother decided it was important for me to listen to him practice, and so we went. I sat in a nearby room and listened to him, for an entire hour, as he practiced nothing but one trill! (laughs) I remember he played The Well-Tempered Clavier at the following concert. Richter’s was very, very passionate playing, and the piano was always moving away from him somehow. This must have been in 1944 or so.

In 1955, I entered the Moscow Conservatory and was part of the same entrance competition as Vladimir Ashkenazy. We became very good friends and studied together for many years. It's a shame many of our classmates have passed away. In any case, Ashkenazy studied with Lev Oborin, and I was supposed to study with Heinrich Neuhaus, but something happened.

I was planning to get married, you see, and when Neuhaus heard of this, he said, “she will never become a pianist,”. At the time, I was a very different person, and I said, “If Neuhaus thinks this, I will not study with him!’. Neuhaus was a very popular teacher. He was a highly educated person, very cultured, and very interesting. He spoke of art, of life experiences, etc., and his classes were always very crowded. But I went to study with Yakov Milstein, who made editions of Scriabin, wrote lots of books about Liszt, was part of the Liszt Society, etc.


1] Ketevana Magalashvili or Elena Dmitrievna Akhvlediani

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